Database / Artworks
Artworks
Plate
Abraham Bloemaert, Dutch
Hard-paste porcelain · 1730
The Metropolitan Museum of Art
Study of a Nude Man
Abraham Bloemaert, Dutch
Black chalk on buff laid paper · 1645
Art Institute of Chicago
Design for St. Peter Delivered from Prison
Abraham Bloemaert, Dutch
Pen and brown ink, brush and brown water color, black chalk on paper · 1635
Cooper Hewitt, Smithsonian Design Museum
Saint Willibrord
Abraham Bloemaert, Dutch
Pen and brown ink and brush and brown wash, with opaque white watercolor, over charcoal, on cream laid paper prepared with a blue wash · 1625
Art Institute of Chicago
Titlepage, "The Farmhouse and Landscape Series"
Abraham Bloemaert, Dutch
print — etching on paper · 1614
Cooper Hewitt, Smithsonian Design Museum
Piety
Abraham Bloemaert, Dutch
Brush and white gouache, and black chalk on gray laid paper · 1610
Cooper Hewitt, Smithsonian Design Museum
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Bridge and Gate (verso)
Abraham Bloemaert, Dutch
pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk · 1605
Cleveland Museum of Art
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert, Dutch
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Peasant's Cottage (recto)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Juno
Abraham Bloemaert, Dutch
Etching, on ivory laid paper · 1605
Art Institute of Chicago
Elisha and Elijah's Chariot of Fire
Abraham Bloemaert, Dutch
engraving · 1604
Cleveland Museum of Art
The Prediction of Ahijah
Abraham Bloemaert, Dutch
engraving · 1604
Cleveland Museum of Art
The Circumcision
Abraham Bloemaert, Dutch
Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card · 1601
Art Institute of Chicago
Two Female Heads
Abraham Bloemaert, Dutch
red chalk heightened with white chalk; framing lines in brown ink · 1600
Cleveland Museum of Art
Moses Striking the Rock
Abraham Bloemaert, Dutch
Oil on canvas · 1596
The Metropolitan Museum of Art
Study of the Head of a Bearded Man
Abraham Bloemaert, Dutch
Black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper · 1595
Art Institute of Chicago
Charity
Abraham Bloemaert, Dutch
oil on wood · 1585
Cleveland Museum of Art
Caritas Romana
Abraham Bloemaert, Dutch
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago
Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert, Dutch
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
Kneeling Female Figure with Upraised Arms
Abraham Bloemaert, Dutch
Red chalk, heightened with white chalk · 1580
The Metropolitan Museum of Art
Christ and the Canaanite Women
Abraham Bloemaert, Dutch
Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert, Dutch
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert, Dutch
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art