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Artworks

161 records by Francisco Goya
No te escaparas (You Will Not Escape)
No te escaparas (You Will Not Escape)
Francisco Goya
etching and burnished aquatint on laid paper · 1799
National Gallery of Art
Duendecitos (Hobgoblins)
Duendecitos (Hobgoblins)
Francisco Goya
etching and burnished aquatint on laid paper · 1799
National Gallery of Art
Si amanece; nos vamos (When Day Breaks We Will Be Off)
Si amanece; nos vamos (When Day Breaks We Will Be Off)
Francisco Goya
etching, burnished aquatint, and burin on laid paper · 1799
National Gallery of Art
El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)
El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)
Francisco Goya
etching and aquatint on laid paper · 1799
National Gallery of Art
Linda maestra! (Pretty Teacher!)
Linda maestra! (Pretty Teacher!)
Francisco Goya
etching, burnished aquatint, and drypoint on laid paper · 1799
National Gallery of Art
A caza de dientes (Out Hunting for Teeth)
A caza de dientes (Out Hunting for Teeth)
Francisco Goya
etching, burnished aquatint, and burin on laid paper · 1799
National Gallery of Art
Asta su abuelo (And So Was His Grandfather)
Asta su abuelo (And So Was His Grandfather)
Francisco Goya
lift-ground aquatint and aquatint on laid paper · 1799
National Gallery of Art
Ni mas ni menos (Neither More nor Less)
Ni mas ni menos (Neither More nor Less)
Francisco Goya
etching, burnished aquatint, drypoint, and burin on laid paper · 1799
National Gallery of Art
Volaverunt (They Have Flown)
Volaverunt (They Have Flown)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
El amour y la muerte (Love and Death)
El amour y la muerte (Love and Death)
Francisco Goya
etching, burnished aquatint, and burin on laid paper · 1799
National Gallery of Art
Quien lo creyera! (Who Would Have Thought It!)
Quien lo creyera! (Who Would Have Thought It!)
Francisco Goya
etching, burnished aquatint, and burin on laid paper · 1799
National Gallery of Art
Nadie nos ha visto (No One Has Seen Us)
Nadie nos ha visto (No One Has Seen Us)
Francisco Goya
etching, burnished aquatint, and burin on laid paper · 1799
National Gallery of Art
Por que fue sensible (Because She Was Susceptible)
Por que fue sensible (Because She Was Susceptible)
Francisco Goya
lift-ground aquatint and aquatint on laid paper · 1799
National Gallery of Art
Que viene el coco (Here Comes the Bogey-Man)
Que viene el coco (Here Comes the Bogey-Man)
Francisco Goya
etching and burnished aquatint on laid paper · 1799
National Gallery of Art
Quien mas rendido?  (Which of Them Is the More Overcome?)
Quien mas rendido? (Which of Them Is the More Overcome?)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
Francisco Goya
etching, aquatint, drypoint, and burin on laid paper · 1799
National Gallery of Art
When Day Breaks We Will Be Off, Plate 71
When Day Breaks We Will Be Off, Plate 71
Francisco Goya
etching and aquatint · 1799
Cleveland Museum of Art
They Have Flown, Plate 61
They Have Flown, Plate 61
Francisco Goya
etching and aquatint · 1799
Cleveland Museum of Art
La filiacion (The Filiation)
La filiacion (The Filiation)
Francisco Goya
etching and aquatint on laid paper [proof before letters] · 1797
National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out)
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
Al Conde Palatino (To the Count Palatine)
Al Conde Palatino (To the Count Palatine)
Francisco Goya
etching, aquatint, drypoint and burin on laid paper [proof before letters] · 1797
National Gallery of Art
Tal para qual (Two of a Kind)
Tal para qual (Two of a Kind)
Francisco Goya
etching retouched with stumped black chalk on laid paper [proof before letters] · 1797
National Gallery of Art
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Francisco Goya
Etching and aquatint on ivory laid paper · 1797
Art Institute of Chicago
El de la rollona
El de la rollona
Francisco Goya
aquatint on paper · 1797
Rijksmuseum
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