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Artworks
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Capean otro encerrado (They Play Another with the Cape in an Enclosure)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Otro modo de cazar a pie (Another Way of Hunting on Foot)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F
Francisco Goya
Brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper · 1812
Art Institute of Chicago
Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, aquatint, and drypoint with burnishing (proof) on laid paper · 1810
National Gallery of Art
No Hay Quien Los Socorra (Nobody Can Help Them)
Francisco Goya
etching and aquatint with burin and burnishing on wove paper · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58] · 1810
National Gallery of Art
Fiero monstruo! (Fierce Monster!)
Francisco Goya
etching, drypoint and burin on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58] · 1810
National Gallery of Art
Victor Guye
Francisco Goya
oil on canvas · 1810
National Gallery of Art
No se puede saber por que (One Can't Tell Why)
Francisco Goya
etching, burnished lavis, drypoint and burin on wove paper · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870) · 1810
National Gallery of Art