Database / Artworks
Artworks
Old Woman on a Swing
Francisco Goya
etching on laid paper · 1824
National Gallery of Art
Don Ramón Satué (1765-1824). Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)
Francisco Goya
canvas, oil paint (paint) · 1823
Rijksmuseum
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Francisco Goya
Oil on canvas · 1820
The Metropolitan Museum of Art
Portrait of Don Juan Antonio Cuervo
Francisco Goya
oil on canvas · 1819
Cleveland Museum of Art
Disparate conocido (Well-Known Folly)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously before 1877] · 1816
National Gallery of Art
Disparate puntual (Sure Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art
Disparate conocido (Well-Known Folly)
Francisco Goya
etching and burnished aquatint · 1816
National Gallery of Art
Disparate de Carnabal (Carnival Folly)
Francisco Goya
etching and aquatint · 1816
National Gallery of Art
Los ensacados (The Men in Sacks)
Francisco Goya
etching and burnished aquatint · 1816
National Gallery of Art
Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)
Francisco Goya
etching, drypoint and burin [working proof] · 1816
National Gallery of Art
Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint · 1816
National Gallery of Art
Disparate furioso (Furious Folly)
Francisco Goya
etching and burnished aquatint · 1816
National Gallery of Art
La lealtad (Loyalty)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)
Francisco Goya
etching, burnished aquatint and burin [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate de Carnabal (Carnival Folly)
Francisco Goya
etching and aquatint [trial proof printed posthumosuly circa 1854-1863] · 1816
National Gallery of Art
Modo de volar (A Way of Flying)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate claro (Clear Folly)
Francisco Goya
etching, burnished aquatint and lavis [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
El caballo raptor (The Horse-Abductor)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate pobre (Poor Folly)
Francisco Goya
etching, burnished aquatint, drypoint and burin [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate allegre (Merry Folly)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Los ensacados (The Men in Sacks)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate general (General Folly)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art