Database / Artworks

Artworks

12,374 records by Linda White · Met Museum
Portrait of a Young Man
Portrait of a Young Man
Agnolo Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
The Good Samaritan
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Venus and Cupid
Venus and Cupid
Lucas Cranach the Elder
lime panel · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Adriaan de Weerdt
Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, by the artist · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
The Annunciation
The Annunciation
Battista Franco Veneziano
Etching and Engraving · 1530
The Metropolitan Museum of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art
The Triumph of Fame on Chastity, from The Triumphs of Petrarch
The Triumph of Fame on Chastity, from The Triumphs of Petrarch
Georg Pencz
Engraving; third state of four (Landau) · 1529
The Metropolitan Museum of Art
Christian II, King of Denmark
Christian II, King of Denmark
Jan Gossart
Engraving; first state of two · 1529
The Metropolitan Museum of Art
Madonna and Child with Saints
Madonna and Child with Saints
Georges Reverdy
Engraving · 1529
The Metropolitan Museum of Art
The Holy Family
The Holy Family
Georges Reverdy
Engraving · 1529
The Metropolitan Museum of Art
The Triumph of Love, from The Triumph of Petrarch
The Triumph of Love, from The Triumph of Petrarch
Georg Pencz
Engraving · 1529
The Metropolitan Museum of Art
The Return of the Prodigal Son
The Return of the Prodigal Son
Georges Reverdy
Engraving · 1529
The Metropolitan Museum of Art
Vertical Panel with Three Winged Boys Carrying a Bear on a Tray
Vertical Panel with Three Winged Boys Carrying a Bear on a Tray
Heinrich Aldegrever
Engraving · 1529
The Metropolitan Museum of Art
The Triumph of Chastity on Love, from the Triumphs of Petrarch
The Triumph of Chastity on Love, from the Triumphs of Petrarch
Georg Pencz
Engraving · 1529
The Metropolitan Museum of Art
Allegory of the Redemption of the World
Allegory of the Redemption of the World
Paolo Veronese
Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper · 1528
The Metropolitan Museum of Art
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