Database / Artworks
Artworks
The Shepherd’s Dream, from ‘Paradise Lost’
Henry Fuseli
Oil paint on canvas · 1793
Tate
Milton Dictating to His Daughter
Henry Fuseli
Oil on canvas · 1793
Art Institute of Chicago
Charis Phykomené. Verso: Head of a Woman, Unfinished
Henry Fuseli
Graphite, chalk and watercolour on paper · 1791
Tate
Satan Defying the Powers of Heaven
Henry Fuseli
graphite, black chalk, and gray wash · 1790
National Gallery of Art
Satan Defying the Powers of Heaven
Henry Fuseli
graphite, black chalk, and brown and gray wash on laid paper · 1790
National Gallery of Art
Titania and Bottom
Henry Fuseli
Oil paint on canvas · 1790
Tate
An Erotic Fantasy
Henry Fuseli
Pen and brown ink (recto and verso) on cream laid paper · 1790
Art Institute of Chicago
Figure Studies (recto and verso)
Henry Fuseli
Pen and brown ink (recto and verso) on cream laid paper · 1790
Art Institute of Chicago
Oedipus Cursing His Son Polynices
Henry Fuseli
oil on canvas · 1786
National Gallery of Art
Self-Portrait and Anatomical Studies. Verso: Two Male Anatomical Studies
Henry Fuseli
Graphite and ink on paper, Graphite on paper · 1783
Tate
Percival Delivering Belisane from the Enchantment of Urma
Henry Fuseli
Oil paint on canvas · 1783
Tate
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress
Henry Fuseli
Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper · 1783
Art Institute of Chicago
Portrait of a Woman (Martha Hess)
Henry Fuseli
Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper · 1781
Art Institute of Chicago
Thetis Mourning the Body of Achilles
Henry Fuseli
Brush and brown and brownish-red wash, over graphite, on cream laid paper · 1780
Art Institute of Chicago
Sleeping Woman with a Cupid
Henry Fuseli
Etching in red-brown on ivory laid paper · 1780
Art Institute of Chicago
Sleeping Woman with a Cupid
Henry Fuseli
etching · 1780
Cleveland Museum of Art
Sketch for "Oath on the Rütli" (recto), Female Figure (verso)
Henry Fuseli
Oil on canvas · 1779
Art Institute of Chicago
Oedipus at Colonus, Cursing his Son Polynices
Henry Fuseli
Pen and brown ink, brush and gray wash, traces of black chalk underdrawing · 1777
The Metropolitan Museum of Art
Satan Starts from the Touch of Ithuriel's Spear
Henry Fuseli
pen and brown ink and brush and gray wash · 1776
Cleveland Museum of Art
The Changeling
Henry Fuseli
Charcoal and brush and gray wash, heightened with touches of white gouache, over traces of graphite, on ivory laid paper, laid down on white tissue paper · 1775
Art Institute of Chicago
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)
Henry Fuseli
Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper · 1771
Art Institute of Chicago
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon
Henry Fuseli
Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card · 1770
Art Institute of Chicago
Odin in the Underworld
Henry Fuseli
Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper · 1770
Art Institute of Chicago
Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man
Henry Fuseli
Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper · 1770
Art Institute of Chicago