WATTS INDEX/database

Database / Artworks

Artworks

12,379 records by Jean Le Page · Met Museum
Historical Scene (Composition Study for Chapelle de Guise)
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
Couple and Death with a Drum, from "The Dance of Death"
Couple and Death with a Drum, from "The Dance of Death"
Allaert Claesz
Engraving · 1520
The Metropolitan Museum of Art
Apostle or Saint
Apostle or Saint
Alonso Berruguete
Polychrome and gilt walnut · 1520
The Metropolitan Museum of Art
Raguel's Reception of Tobias at Ecbatana
Raguel's Reception of Tobias at Ecbatana
Pieter Aertsen
Pen and brown ink, with gray wash · 1520
The Metropolitan Museum of Art
Nymphs Bathing
Nymphs Bathing
Georges Reverdy
Engraving · 1520
The Metropolitan Museum of Art
Satyress and her Infant
Satyress and her Infant
Severo da Ravenna
Indirect cast; copper alloy, dark brown with areas of black patina. · 1520
The Metropolitan Museum of Art
Study of a Man's Head
Study of a Man's Head
Pontormo
Red chalk; stumping · 1520
The Metropolitan Museum of Art
The Nile, from "Speculum Romanae Magnificentiae"
The Nile, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving; first state of three · 1520
The Metropolitan Museum of Art
Historical Scene (Composition Study for Chapelle de Guise)
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
Martinus de Hanna
Martinus de Hanna
Leone Leoni
Bronze · 1520
The Metropolitan Museum of Art
Virgin and Child
Virgin and Child
Joos van Cleve
Oil on wood · 1520
The Metropolitan Museum of Art
The Cumaean Sibyl before Tarquin the Proud
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
Christ Crowned with Thorns
Christ Crowned with Thorns
Lucas van Leyden
Engraving; second state · 1519
The Metropolitan Museum of Art
Emperor Antoninus Pius
Emperor Antoninus Pius
Antico
Bronze, partially oil-gilt, silver inlay, on serpentinite socle · 1519
The Metropolitan Museum of Art
Daniel de Hanna d. 1580 (a member of the well-known Flemish merchant family that settled in Venice in the early 16th century)
Daniel de Hanna d. 1580 (a member of the well-known Flemish merchant family that settled in Venice in the early 16th century)
Leone Leoni
Bronze · 1519
The Metropolitan Museum of Art
Virgin and Child with Saint Anne
Virgin and Child with Saint Anne
Albrecht Dürer
Oil on linden · 1519
The Metropolitan Museum of Art
Esther before Ahasuerus
Esther before Ahasuerus
Lucas van Leyden
Engraving; third state · 1518
The Metropolitan Museum of Art
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Baccio Bandinelli
Red chalk · 1518
The Metropolitan Museum of Art
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Jacob Cornelisz. van Oostsanen
Woodcut · 1518
The Metropolitan Museum of Art
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Baccio Bandinelli, Italian
Red chalk · 1518
The Metropolitan Museum of Art
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Jacob Cornelisz van Oostsanen
Woodcut · 1518
The Metropolitan Museum of Art
Book of Hours
Book of Hours
Gilles Hardouyn
Tempera, ink and gold on parchment; leather binding · 1518
The Metropolitan Museum of Art
The Parable of the Beam and the Mote
The Parable of the Beam and the Mote
Netherlandish
Pen and brown ink over traces of black chalk; original borderlines at left and right edges. · 1517
The Metropolitan Museum of Art
The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards
The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards
Domenico Campagnola, Italian
Engraving · 1517
The Metropolitan Museum of Art
Go to pageof 516