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Artworks

12,375 records by Candido Portinari · Met Museum
Andiron
Andiron
Niccolò Roccatagliata
Copper alloy with a warm brown patina under a partly worn dark brown to black patina, cast in three segments. · 1600
The Metropolitan Museum of Art
Andiron with the Figure of Jupiter
Andiron with the Figure of Jupiter
Niccolò Roccatagliata
Bronze, dark brown wax or lacquer patina. · 1600
The Metropolitan Museum of Art
Andiron with the Figure of Juno
Andiron with the Figure of Juno
Niccolò Roccatagliata
Bronze, dark brown wax or lacquer patina. · 1600
The Metropolitan Museum of Art
Virgin and child
Virgin and child
Niccolò Roccatagliata
Bronze · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Wang Hui
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Wang Hui
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Victor Amadeus I, Duke of Savoy (1587–1637)
Victor Amadeus I, Duke of Savoy (1587–1637)
Abraham
Bronze · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Chess and backgammon game board
Chess and backgammon game board
Georg Schreiber
Amber, ivory, brass, gold foil, ebony · 1600
The Metropolitan Museum of Art
Equestrian statuette, possibly of Philip IV, King of Spain
Equestrian statuette, possibly of Philip IV, King of Spain
Pietro Tacca
Bronze, on later wood base · 1600
The Metropolitan Museum of Art
"Diana, Goddess of the Hunt", Folio from the Davis Album
"Diana, Goddess of the Hunt", Folio from the Davis Album
Ali
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Design for a Tabernacle
Design for a Tabernacle
Pierre Puget, French
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
The Elements: Fire
The Elements: Fire
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The deluge, figures being pulled from the water
The deluge, figures being pulled from the water
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
Bust of Pseudo-Seneca
Bust of Pseudo-Seneca
Peter Paul Rubens, Flemish
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
Saint Sebastian
Saint Sebastian
Pietro Tacca
Bronze, fire-gilt, on later patinated bronze trunk · 1600
The Metropolitan Museum of Art
Three Men and a Dog on a Hill
Three Men and a Dog on a Hill
Ercole Bazicaluva
Pen and crayon · 1600
The Metropolitan Museum of Art
Allegory in Honor of Louis XIV
Allegory in Honor of Louis XIV
Claude Mellan
Engraving; second state of three (BN) · 1600
The Metropolitan Museum of Art
Kneeling Woman
Kneeling Woman
Mattia Preti
Red chalk on light brown paper · 1600
The Metropolitan Museum of Art
Landscape with Trees and Figures
Landscape with Trees and Figures
Herman van Swanevelt
Brush and brown ink, over a sketch in black chalk; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art
The Captured Turk
The Captured Turk
Pietro Tacca
Pearwood · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Hui Wang
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
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