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Artworks

35 records by John Michael Rysbrack
Milton From the Bust - My Ninth Head
Milton From the Bust - My Ninth Head
John Michael Rysbrack
Black and white chalk, with stumping, and graphite, on tan wove paper, laid down on card · 1817
Art Institute of Chicago
Milton from the Bust - My Tenth Head
Milton from the Bust - My Tenth Head
John Michael Rysbrack
Black and white chalk, with stumping, on blue wove paper, laid down on card · 1817
Art Institute of Chicago
Three Studies for Statue of John Locke
Three Studies for Statue of John Locke
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite, on cream laid paper · 1749
Art Institute of Chicago
Mantelpiece from Chesterfield House, London
Mantelpiece from Chesterfield House, London
John Michael Rysbrack
Marble · 1745
The Metropolitan Museum of Art
John Barnard
John Barnard
John Michael Rysbrack
Marble · 1744
The Metropolitan Museum of Art
Bust of Carolina, Queen of England
Bust of Carolina, Queen of England
John Michael Rysbrack
modeling on terracotta (clay material) · 1738
Rijksmuseum
Mary II Stuart, Queen of England and Scotland
Mary II Stuart, Queen of England and Scotland
John Michael Rysbrack
sculpting on marble (rock) · 1735
Rijksmuseum
John Churchill, 1st Duke of Marlborough (1650–1722)
John Churchill, 1st Duke of Marlborough (1650–1722)
John Michael Rysbrack
Carrara marble · 1731
The Metropolitan Museum of Art
Preliminary Design for Monument to John Gay the Poet
Preliminary Design for Monument to John Gay the Poet
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1731
Art Institute of Chicago
Hope: Design for the Unexecuted Monument to the First Duke of Marlborough
Hope: Design for the Unexecuted Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto cream laid paper · 1728
Art Institute of Chicago
Warrior upon Sarcophagus Accompanied by Trophies: Unexecuted Design for the Monument to the First Duke of Marlborough
Warrior upon Sarcophagus Accompanied by Trophies: Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1728
Art Institute of Chicago
Wisdom: Unexecuted Design for the Monument to the First Duke of Marlborough
Wisdom: Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1728
Art Institute of Chicago
Fortitude: Unexecuted Design for the Monument to the First Duke of Marlborough
Fortitude: Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1728
Art Institute of Chicago
Unexecuted Designs for the Monument to the First Duke of Marlborough
Unexecuted Designs for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory wove paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and gray and brown wash, over traces of graphite, on ivory laid paper, tipped onto cream wove paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper · 1728
Art Institute of Chicago
Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso)
Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso)
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite (recto); pen and brown ink over graphite (verso), on cream laid paper · 1728
Art Institute of Chicago
Design for an Unexecuted Funerary Monument for the First Duke of Marlborough
Design for an Unexecuted Funerary Monument for the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper · 1714
Art Institute of Chicago
Standing Female Figure with Right Arm Raised
Standing Female Figure with Right Arm Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Design for a Funerary Monument with Fate, Urn, Putto
Design for a Funerary Monument with Fate, Urn, Putto
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure with Right Hand Raised
Standing Female Figure with Right Hand Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure with Right Hand Raised
Standing Female Figure with Right Hand Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
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