Database / Artworks
Artworks

Entombment
François Perrier
1584
The Metropolitan Museum of Art

The Judgment of Paris
Alessandro Allori
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper · 1583
The Metropolitan Museum of Art

The Holy Family with John the Baptist in a landscape
Bernardino Passeri
Etching and engraving · 1583
The Metropolitan Museum of Art

Temperance
Giovanni Battista Caccini
Marble · 1583
The Metropolitan Museum of Art

View of Heidelberg
Jan Brueghel the Elder
Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink · 1583
The Metropolitan Museum of Art

View of Heidelberg
Brueghel, Jan, the elder
Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink · 1583
The Metropolitan Museum of Art

Temperance
Giovanni Battista Caccini
Marble · 1583
The Metropolitan Museum of Art

The Judgment of Paris
Alessandro Allori
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper · 1583
The Metropolitan Museum of Art

Saint Matthew and the Angel
Luca Cambiaso
Pen and brown ink, brown wash over traces of brown chalk (?); squared in red chalk · 1583
The Metropolitan Museum of Art

Mystic Marriage of St. Catherine
Vespasiano Strada, Italian
Etching · 1582
The Metropolitan Museum of Art

Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art

Elements from a Garniture Made for Christian I of Saxony (1560–1591)
Anton Peffenhauser
Steel, gold, leather, brass · 1582
The Metropolitan Museum of Art

The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art

The Lamentation
Ludovico Carracci
oil paint · 1582
The Metropolitan Museum of Art

Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert
Engraving, squared in graphite · 1582
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art

Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art

Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art

Design for Knife Handles with the Temptation of Adam and Eve and a Memento Mori Scene
Johann Theodor de Bry
Engraving and blackwork · 1580
The Metropolitan Museum of Art

Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art

Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art