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Artworks

98,524 records by Peeter de Jode, the younger · Art Institute Chicago
Triumphs of Julius Caesar: Canvas No. II
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Rider Visiting Farm
Rider Visiting Farm
John Inigo Richards
Pen and black ink, with brush and gray wash, on cream wove paper · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Delorme
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Delorme
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Macek
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Poggi
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Robert Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Draped Woman, Seen From Back
Draped Woman, Seen From Back
François Boucher
Red chalk, with brush and pale brown wash, on cream laid paper, tipped on cream wove card · 1700
Art Institute of Chicago
Female Caryatid
Female Caryatid
Perino del Vaga
Red chalk on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Portrait of Hyacinthe Rigaud
Portrait of Hyacinthe Rigaud
Pierre Drevet
Engraving on ivory wove paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael de Mey
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Mater Dolorosa
Mater Dolorosa
Pierre Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Winter, from The Seasons
Winter, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Music-Making Angels
Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Seated Male Near Female
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Fodde
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael-Schwartz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Plaque: Psalm No. 150
Plaque: Psalm No. 150
Govert Willemnz
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Peasants and Cattle Crossing Ford
Peasants and Cattle Crossing Ford
Nicolaes Berchem
Red chalk on cream laid paper, laid down on card · 1700
Art Institute of Chicago
Expulsion of Hagar
Expulsion of Hagar
Govaert Flinck
Brush and black wash, over black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
George Raphael Ward
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Sketch of a Male Nude Leaning on Right Elbow (recto)
Sketch of a Male Nude Leaning on Right Elbow (recto)
Charles-Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago
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