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Artworks

39 records by Federico Barocci
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Federico Barocci
Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper · 1700
Art Institute of Chicago
Kneeling Magdalene and Tomb Attendant
Kneeling Magdalene and Tomb Attendant
Federico Barocci
Black chalk and brush and black and gray wash, heightened with touches of white chalk, on gray-green laid paper, laid down on tan wove paper, drum mounted on ivory wove paper · 1600
Art Institute of Chicago
Grove of Trees
Grove of Trees
Federico Barocci
Black chalk, on ivory laid paper · 1600
Art Institute of Chicago
Quintilia Fischieri
Quintilia Fischieri
Federico Barocci
oil on canvas · 1600
National Gallery of Art
Aeneas and His Family Fleeing Troy
Aeneas and His Family Fleeing Troy
Federico Barocci
engraving · 1595
Cleveland Museum of Art
Studies for a Servant in "The Last Supper"
Studies for a Servant in "The Last Supper"
Federico Barocci
black, red, and yellow chalk heightened with white chalk on blue tinted paper · 1590
National Gallery of Art
Study for the "Madonna of the Rosary"
Study for the "Madonna of the Rosary"
Federico Barocci
Black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk · 1589
Art Institute of Chicago
Aeneas Saving Anchises at the Fall of Troy
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci
Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink · 1587
Cleveland Museum of Art
The Annunciation
The Annunciation
Federico Barocci
Etching and engraving on paper · 1585
Art Institute of Chicago
Head of a Woman
Head of a Woman
Federico Barocci
colored chalks on blue laid paper · 1584
National Gallery of Art
Vision of Saint Francis
Vision of Saint Francis
Federico Barocci
etching and engraving · 1581
National Gallery of Art
The Vision of St. Francis
The Vision of St. Francis
Federico Barocci
etching and engraving · 1581
Cleveland Museum of Art
The Vision of Saint Francis
The Vision of Saint Francis
Federico Barocci
Etching and engraving on ivory laid paper · 1581
Art Institute of Chicago
The Head of Saint John the Evangelist
The Head of Saint John the Evangelist
Federico Barocci
oil on paper lined with linen · 1580
National Gallery of Art
Madonna in the Clouds
Madonna in the Clouds
Federico Barocci
etching and engraving · 1580
Cleveland Museum of Art
Ontmoeting van Maria en Elisabeth
Ontmoeting van Maria en Elisabeth
Federico Barocci
pen on ink, paper · 1580
Rijksmuseum
Head of a Bearded Man
Head of a Bearded Man
Federico Barocci
colored chalks on blue laid paper; laid down · 1579
National Gallery of Art
Entombment of Christ
Entombment of Christ
Federico Barocci
charcoal stick, paper, chalk, wood (plant material), linen (material), pastel (crayon) · 1578
Rijksmuseum
St. Francis Receiving the Stigmata
St. Francis Receiving the Stigmata
Federico Barocci
etching · 1576
Cleveland Museum of Art
Saint Francis Receiving the Stigmata
Saint Francis Receiving the Stigmata
Federico Barocci
Etching on cream laid paper · 1576
Art Institute of Chicago
Studie van een moeder die haar kind draagt
Studie van een moeder die haar kind draagt
Federico Barocci
paper, chalk · 1575
Rijksmuseum
Studies van een moeder die haar kind draagt
Studies van een moeder die haar kind draagt
Federico Barocci
squared on paper, chalk · 1575
Rijksmuseum
The Entombment of Christ
The Entombment of Christ
Federico Barocci
Pen and brown ink, with touches of graphite and a later (?) addition of gray wash to head of Christ, on buff laid paper, squared in red chalk, laid down on cream laid paper, laid down on tan wove paper · 1575
Art Institute of Chicago
Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso)
Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso)
Federico Barocci
Black chalk and charcoal, with stumping and traces of white chalk, on tan laid paper, pieced and incised · 1568
Art Institute of Chicago
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