Database / Artworks
Artworks
Design for a Tabernacle
Pierre Puget
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Distant Landscape with Tree in Foreground
Aureliano Milani
Counterproof. Red chalk on cream paper. Framing outline in red chalk · 1600
The Metropolitan Museum of Art
The Sacrifice of Noah
Aureliano Milani
Black chalk, brush and gray wash, on light tan paper · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Pineapple cup (Hanap)
M P Landis
Silver, partly gilded · 1600
The Metropolitan Museum of Art
River Landscape with Traveler
Cornelis Vroom
Pen and brown ink, touches of brush and brown wash; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Study Sheet with Two Seated Children and an Angel
Hendrick von Goudt
Pen and brown ink; framing lines in pen and light brown ink · 1600
The Metropolitan Museum of Art
Local ring dial
T. W. Smillie
Brass · 1600
The Metropolitan Museum of Art
Landscape
Aureliano Milani
Red chalk on light tan paper. Framing outline in red chalk. Partial framing outline? in pen and brown ink at lower right edge · 1600
The Metropolitan Museum of Art
Saint Sebastian
Pietro Tacca
Bronze, fire-gilt, on later patinated bronze trunk · 1600
The Metropolitan Museum of Art
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma
Black chalk, highlighted with white chalk, on blue paper faded to gray-green · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art