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Artworks

35 records by Rudolph Von Ripper

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17 etchings (including front cover), most with drypoint, printed in black on ivory, smooth, wove Rives BFK paper; and supplementary suite on ivory, smooth, laid China paper · 1938

Museum of Modern Art

Duplicate of IMMORTALITY ACCORDING TO FREUD (supplementary suite, plate 5) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

Duplicate of NUPTIAL SYMPHONY (supplementary suite, plate 6) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching, printed in black · 1937

Museum of Modern Art

NUPTIAL SYMPHONY, plate 6 (folio 12) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching, printed in black · 1937

Museum of Modern Art

THE GERMAN CHRISTIANS, plate 10 (folio 16) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

ECCE HOMO, plate 12 (folio 18) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching, printed in black · 1937

Museum of Modern Art

Duplicate of THE MACHINE WAS INVENTED TO SERVE MAN (supplementary suite, plate 7) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

Duplicate of SUPPRESS CULTURE AND THE WALLS COME TO LIFE (supplementary suite, plate 8) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

Duplicate of LUNCHEON ON THE GRASS 1934 (supplementary suite, plate 9) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

Duplicate of THE GERMAN CHRISTIANS (supplementary suite, plate 10) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

Duplicate of ECCE HOMO (supplementary suite, plate 12) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching, printed in black · 1937

Museum of Modern Art

IMMORTALITY ACCORDING TO FREUD, plate 5 (folio 11) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

THE MACHINE WAS INVENTED TO SERVE MAN, plate 7 (folio 13) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

SUPPRESS CULTURE AND THE WALLS COME TO LIFE, plate 8 (folio 14) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

LUNCHEON ON THE GRASS 1934, plate 9 (folio 15) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1937

Museum of Modern Art

THE HEART OF MAN, plate 2 (folio 8) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of THE HUNTERS OF LICE, OR THE FESTIVAL OF CHARITY (supplementary suite, plate 3) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of WHAT PRICE VIRGINITY? (supplementary suite, plate 4) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of UP WITH SPAIN! (supplementary suite, plate 14) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of MERRY-GO-ROUND (supplementary suite, plate 15) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of THE DANCER ON THE WAVES, OR MAN, ETERNAL SEEKER OF EQUILIBRIUM (supplementary suite, plate 16) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of front cover (supplementary suite, plate 17) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

Duplicate of 500,000! (supplementary suite, plate 11) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

WHAT PRICE VIRGINITY?, plate 4 (folio 10) from ÉCRASER L'INFÂME

Rudolph Von Ripper

Etching and drypoint, printed in black · 1936

Museum of Modern Art

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