Database / Artworks
Artworks
Peach Blossoms
John Hill
Watercolor and graphite on off-white wove paper · 1874
The Metropolitan Museum of Art
Forest Interior
John Hill
graphite with white heightened · 1865
Cleveland Museum of Art
A Study of Trap Rock (Buttermilk Falls)
John Hill
Oil on canvas · 1863
The Metropolitan Museum of Art
Chancel of Trinity Chapel, New York
John Hill
Watercolor, gouache, black ink, graphite, and gum arabic on off-white wove paper · 1856
The Metropolitan Museum of Art
Peabody at the Glen, New Hampshire
John Hill
Watercolor on off-white wove paper · 1854
The Metropolitan Museum of Art
View from My Work Room Window in Hammond Street, New York City
John Hill
Watercolor, pen and black ink, and graphite on off-white wove paper · 1826
The Metropolitan Museum of Art
City Hall
John Hill
hand-colored aquatint on paper · 1826
Smithsonian American Art Museum
View of the Spot Where General Ross Fell, Near Baltimore
John Hill
etching and aquatint with watercolor additions on wove paper · 1820
National Gallery of Art
View near Fort Montgomery (no. 18, Hudson River portfolio)
John Hill
hand-colored aquatint engraving on paper · 1820
Smithsonian American Art Museum
Portfolio Cover for Picturesque Views of American Scenery, No. II
John Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Washington's Sepulchre, Mt Vernon, Virginia, plate two of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Portfolio Cover for Picturesque Views of American Scenery, No. I
John Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago
Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Interior of the Carpenter’s Shop at Forty Hill, Enfield
John Hill
Oil paint on canvas · 1813
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