Database / Artworks

Artworks

12,374 records by Michael Andrews · Met Museum
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci
Engraving · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Casket
Casket
Wenzel Jamnitzer
Gilded yellow metal, silver · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Globular vase
Globular vase
Domenico Veneziano
Maiolica (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
Song of the Lute
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci, Italian
Engraving · 1585
The Metropolitan Museum of Art
Walls, Towers, and Gates of Amsterdam
Walls, Towers, and Gates of Amsterdam
Jacob Savery
Pen and brown ink · 1585
The Metropolitan Museum of Art
The Massacre of the Innocents
The Massacre of the Innocents
Giovanni Battista della Rovere
Pen and brown ink, brush and brown wash, over black chalk (recto); sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso) · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Mars and Venus Trapped by Vulcan
Mars and Venus Trapped by Vulcan
Porta, Guglielmo della
Gilt bronze · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Banquet of the Gods
Porta, Guglielmo della
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Joachim Patinir
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
An Apostle Holding a Book
An Apostle Holding a Book
Francisco Herrera the Elder
Pen and brown ink · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Ewer
Ewer
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Basin
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Allegory of Africa, from "The Four Continents"
Allegory of Africa, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
The Virgin and Child Surrounded by Little Angels in the Clouds
The Virgin and Child Surrounded by Little Angels in the Clouds
Friedrich Sustris
Pen and brown ink, brush and gray wash, heightened with white · 1585
The Metropolitan Museum of Art
Allegory of America, from "The Four Continents"
Allegory of America, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Ecce Homo
Ecce Homo
Hans von Aachen
Pen and brown ink, brush and gray wash, over black chalk · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Go to pageof 516