Database / Artworks

Artworks

12,374 records by Ebenezer Mack · Met Museum
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro
Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso) · 1537
The Metropolitan Museum of Art
Pietro Bacci Aretino (1492–1556)
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
The Deposition from the Cross
The Deposition from the Cross
Domenico Campagnola, Italian
Pen and brown ink · 1537
The Metropolitan Museum of Art
The Dead Christ Supported by Three Figures
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper · 1537
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Katharina Merian
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
The Supper at Emmaus
The Supper at Emmaus
Bonifacio
Brush and brown ink, brown wash, heightened with white, over black chalk underwriting, on blue paper. · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Fame
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
A Woman Showing Bulls to a Man
A Woman Showing Bulls to a Man
Léon Davent
Etching · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Landscape with a Satyr
Landscape with a Satyr
Domenico Campagnola, Italian
Pen and brown ink, touches of darker ink on the hut at center. · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze:  A Commander Addressing His Troops
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Madonna and Child with a Bird
Madonna and Child with a Bird
Diana Scultori
Engraving · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Design for a Term with the Head of Woman, Strapwork and Trophies
Mignon
Etching · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Go to pageof 516