Database / Artworks
Artworks
Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art
Elements from a Garniture Made for Christian I of Saxony (1560–1591)
Anton Peffenhauser
Steel, gold, leather, brass · 1582
The Metropolitan Museum of Art
The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art
Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert
Engraving, squared in graphite · 1582
The Metropolitan Museum of Art
Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Hercules with the apples of the Hesperides, from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Gratia Dei, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Passe, Crispijn de, the elder
Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Christ and the Canaanite Women
Abraham Bloemaert
Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Kneeling Female Figure with Upraised Arms
Abraham Bloemaert
Red chalk, heightened with white chalk · 1580
The Metropolitan Museum of Art
Putto Holding a Cloud and Horn
Passe, Crispijn de, the elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art
A Reclining Peasant (recto); Study of a Young Man (verso)
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
The Three Graces (recto); Four putti engaging in various activities (verso)
Christoph Murer
Pen and black ink, brush and gray wash, heightened with white gouache, on paper prepared with semi-opaque gray wash · 1580
The Metropolitan Museum of Art
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain.
Adam van Noort
Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for transfer · 1580
The Metropolitan Museum of Art
Veritas, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
Putto Holding a Cloud and Horn
Crispijn de Passe the Elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art
Kneeling Female Figure with Upraised Arms
Abraham Bloemaert, Dutch
Red chalk, heightened with white chalk · 1580
The Metropolitan Museum of Art
Putto Holding a Cloud and Horn
Crispijn van de Passe the Elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art
Study after the Belvedere Torso
Giuseppe Cesari, called Cavaliere d'Arpino
Red chalk · 1580
The Metropolitan Museum of Art