Database / Artworks
Artworks

Design for a Tabernacle
Pierre Puget, French
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art

Bacchanal
Pierre Brebiette
Etching · 1600
The Metropolitan Museum of Art

Bust of Pseudo-Seneca
Peter Paul Rubens, Flemish
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art

Equestrian statuette, possibly of Philip IV, King of Spain
Pietro Tacca
Bronze, on later wood base · 1600
The Metropolitan Museum of Art

Three Men and a Dog on a Hill
Ercole Bazicaluva
Pen and crayon · 1600
The Metropolitan Museum of Art

Landscape with Trees and Figures
Herman van Swanevelt
Brush and brown ink, over a sketch in black chalk; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art

Landscape with view of a town (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art

Country Scene with a Peasant, Cow and Calf
Claude Mellan
Engraving; second state of two · 1600
The Metropolitan Museum of Art

Jonah and the Whale
Luca Ciamberlano
Engraving · 1600
The Metropolitan Museum of Art

The Captured Turk
Pietro Tacca
Pearwood · 1600
The Metropolitan Museum of Art

Landscape
Wang Hui 王翚
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art

Amelia Elizabeth, Landgravine of Hesse
Ludwig von Siegen
Mezzotint; first state · 1600
The Metropolitan Museum of Art

Saint Sebastian
Pietro Tacca
Bronze, fire-gilt, on later patinated bronze trunk · 1600
The Metropolitan Museum of Art

Three Ornamental Vessel Designs
Giacomo Rossi
Pen and brown ink, brush and brown wash, over graphite underdrawing · 1600
The Metropolitan Museum of Art

Portrait of a Man, Said to Be Arnold Franz
Hans Holbein the Younger
Vellum laid on card · 1600
The Metropolitan Museum of Art

The sacrifice of Isaac by his father Abraham
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art

Shrine
Matthias Walbaum
Ebony, silver, gilded silver, gouache on parchment · 1599
The Metropolitan Museum of Art

Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art

Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art

Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art

Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art

The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art

Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art