Database / Artworks
Artworks

Paysanne
Herman Armour Webster
Etching on ivory laid paper · 1904
Art Institute of Chicago

Villiers
Herman Armour Webster
Etching in brown on cream Japanese paper · 1904
Art Institute of Chicago

The Court, Bourron
Herman Armour Webster
Etching on ivory wove paper · 1904
Art Institute of Chicago

Le Loing à Gretz
Herman Armour Webster
Etching in brown on cream Japanese paper · 1904
Art Institute of Chicago

Valley of the Loing
Herman Armour Webster
Etching on cream Japanese paper · 1904
Art Institute of Chicago

Paysanne
Herman Armour Webster
Etching on cream laid paper · 1904
Art Institute of Chicago

A Thatched House Near Havre, France
Herman Armour Webster
Etching on ivory laid paper · 1900
Art Institute of Chicago

La Rue de la Boucherie, Limoges
Herman Armour Webster
Charcoal, with touches of red, blue, and yellow chalks, on paper · 1900
Art Institute of Chicago

La Porte, Vannes
Herman Armour Webster
Charcoal, with touches of red, green, and yellow chalks (recto) and graphite (verso), on paper · 1900
Art Institute of Chicago

Ponte della Grazia, Florence
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Canal, Venice
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Ponte alla Carraia, Florence
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Venice
Herman Armour Webster
Pen and brown ink and brush and gray wash, with graphite, on cream wove paper · 1898
Art Institute of Chicago

Ponte Santa Trinita, No.4
Herman Armour Webster
Pen and brown ink and brush and gray wash, with scraping and graphite, on white wove paper · 1898
Art Institute of Chicago

The Valentre Bridge, Cahors
Herman Armour Webster
Pen and brown ink, with brush and brown and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Canal at Quimper (recto); Boats at Entrance to Canal (verso)
Herman Armour Webster
Charcoal, with touches of stumping (recto), and charcoal (verso), on cream wove paper · 1898
Art Institute of Chicago
Quay Montebello
Herman Armour Webster
etching
Cleveland Museum of Art