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Artworks

12,374 records by Soeurs de Nôtre-Dame de la visitation · Met Museum
Ecce Homo
Ecce Homo
Hans Sebald Beham
laid paper · 1522
The Metropolitan Museum of Art
The Lamentation
The Lamentation
Ambrosius Benson
oil paint · 1522
The Metropolitan Museum of Art
Saint John the Baptist in the desert, a lamb by his side
Saint John the Baptist in the desert, a lamb by his side
Antonio da Trento
Chiaroscuro woodcut from two blocks in green; third state of three · 1522
The Metropolitan Museum of Art
Man seated viewed from behind (Narcissus)
Man seated viewed from behind (Narcissus)
Antonio da Trento
Chiaroscuro woodcut printed from two blocks in brown · 1522
The Metropolitan Museum of Art
Portrait of La Val de Pramence
Portrait of La Val de Pramence
François Clouet
Black and red chalk · 1522
The Metropolitan Museum of Art
Pietà
Pietà
Simon Bening
Tempera and gold leaf on parchment · 1522
The Metropolitan Museum of Art
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
Engraving · 1521
The Metropolitan Museum of Art
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
Engraving · 1521
The Metropolitan Museum of Art
The Holy Family with the Infant Baptist
The Holy Family with the Infant Baptist
Girolamo Siciolante
Pen and brown ink, brush and brown wash, highlighted with white, on blue paper · 1521
The Metropolitan Museum of Art
The Crucifixion
The Crucifixion
Hans Sebald Beham
Woodcut · 1521
The Metropolitan Museum of Art
Dish (coppa)
Dish (coppa)
The Saint
Maiolica (tin-glazed earthenware) · 1521
The Metropolitan Museum of Art
Judith
Judith
Barthel Beham
Engraving · 1521
The Metropolitan Museum of Art
Music-Making Angels
Music-Making Angels
Albrecht Dürer
Pen and brown ink · 1521
The Metropolitan Museum of Art
Urania
Urania
Wenzel Jamnitzer I
Black chalk · 1520
The Metropolitan Museum of Art
Satyress and her Infant
Satyress and her Infant
Severo da Ravenna
Indirect cast; copper alloy, dark brown with areas of black patina. · 1520
The Metropolitan Museum of Art
Raguel's Reception of Tobias at Ecbatana
Raguel's Reception of Tobias at Ecbatana
Pieter Aertsen
Pen and brown ink, with gray wash · 1520
The Metropolitan Museum of Art
Couple and Death with a Drum, from "The Dance of Death"
Couple and Death with a Drum, from "The Dance of Death"
Allaert Claesz.
Engraving · 1520
The Metropolitan Museum of Art
Nymphs Bathing
Nymphs Bathing
Georges Reverdy
Engraving · 1520
The Metropolitan Museum of Art
Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Parri Spinelli
paper · 1520
The Metropolitan Museum of Art
The Age of Iron
The Age of Iron
Alonso Berruguete
Pen and brown ink · 1520
The Metropolitan Museum of Art
Historical Scene (Composition Study for Chapelle de Guise)
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
Arms of Gianfigliazzi Impaling Adimari
Arms of Gianfigliazzi Impaling Adimari
Andrea della Robbia
Glazed terracotta · 1520
The Metropolitan Museum of Art
The Holy Family with Saint Elizabeth and the Infant John the Baptist
The Holy Family with Saint Elizabeth and the Infant John the Baptist
Polidoro da Caravaggio
Pen and brown ink, brush and brown and grayish brown wash over black chalk with white heightening, traces of squaring in pen and brown ink (especially evident at lower right and lower left). · 1520
The Metropolitan Museum of Art
Bacchanalian Scene
Bacchanalian Scene
Amico Aspertini
Black chalk, highlighted with white, on brown-washed paper · 1520
The Metropolitan Museum of Art
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