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Artworks

11,393 records by Zarina · Met Museum
Andrea Doria of Genoa (1468–1560)
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Fame
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Katharina Merian
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Saint Philip
Saint Philip
Domenico Beccafumi
Chiaroscuro woodcut (key block) · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Four Doctors of the Church
Four Doctors of the Church
Domenico Beccafumi
Chiaroscuro woodcut in two blocks in light green · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Study of a Young Woman in Three-quarter Bust-Length
Agnolo Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze:  A Commander Addressing His Troops
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze:  A Commander Addressing His Troops
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Temperance
Temperance
Peter Flötner
bronze · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Saint Roch
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
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