Database / Artworks
Artworks
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper · 1537
The Metropolitan Museum of Art
The Deposition from the Cross
Domenico Campagnola, Italian
Pen and brown ink · 1537
The Metropolitan Museum of Art
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro
Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso) · 1537
The Metropolitan Museum of Art
Design for the End Pier of a Table
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, over black chalk · 1537
The Metropolitan Museum of Art
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Temperance
Peter Flötner
bronze · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mignon
Etching · 1535
The Metropolitan Museum of Art
Close Helmet
Wolfgang Grosschedel
Steel, leather, copper alloy · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Mignon
Etching · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art