
<p>Soga Shōhaku used a wide format here to depict a school of salmon swimming along the current of a stream or river, with the fish looping in front of the viewer before heading off into the distance. The farther away they appear to be, the more abbreviated they become, enhancing the sense of their speed. In the 18th century, Japanese artists increasingly relied on shasei (sketches) drawn from direct observation to conceive their compositions. They also began to use shasei as the basis for large-scale works such as screens, sliding doors, and hanging scrolls like this one.</p>
Catalogue
- Collection
- Art Institute of Chicago
- Artist
- Soga Shohaku
Artist

Painting
Soga Shōhaku was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. His monstrous depictions of prominent figures were extremely unusual compared to other painters of his time.
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More by Soga Shohaku
Orchid Pavilion Gathering
1777 · hanging scroll; ink on silk
Wild Horses
1775 · Pair of two-panel screens; ink on paper
Wild Horses
1775 · Pair of two-panel screens; ink on paper.
The God of Good Fortune Jurōjin
1773
Tigre
1770 · paper
Taigong Wang [center of a triptych of Taigong Wang, Dragon, and Carp]
1770
Record
Verified by WattsOS- Artist
- Soga Shohaku
- Watts ID
- WW-UNK-141981
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified



![Taigong Wang [center of a triptych of Taigong Wang, Dragon, and Carp]](http://commons.wikimedia.org/wiki/Special:FilePath/Soga%20Sh%C5%8Dhaku%20-%20Taigong%20Wang%20%28center%20of%20a%20triptych%20of%20Taigong%20Wang%2C%20Dragon%2C%20and%20Carp%29%20-%202017.145.7.2%20-%20Minneapolis%20Institute%20of%20Art.jpg)