Blume

Blume

Louise LawlerWW-2003-014880
2003·Cibachrome on aluminum box·114.9 × 128.9 cm (45 1/4 × 50 3/4 in.)

<p>Louise Lawler first rose to prominence in 1984, when she photographed the renowned collection of modern and contemporary masterworks owned by Mr. and Mrs. Burton Tremaine as it was installed in their Connecticut home. Since that time, Lawler has focused her camera on the installation of works of art to examine the institutional frameworks that determine their significance. The resulting photographs transcend pure documentation, occupying a key position within conceptual discourse. <em>Blume</em>, a recent icon in Lawler’s oeuvre, documents a Jeff Koons sculpture on display at Galerie Max Hetzler’s booth at Art Basel in 2003. Due to its highly reflective surface, the artwork becomes a vehicle for advertising other objects for sale; like the artist, it reflects and records the installation of surrounding art. Finally, Koons’s polished surface yields an unavoidable self-portrait of Lawler, with her camera, at the moment of photographic capture.</p>

Catalogue

Year
2003
Dimensions
114.9 × 128.9 cm (45 1/4 × 50 3/4 in.)

Artist

Louise Lawler
Louise Lawler

Photography

American artist Louise Lawler was born in Bronxville, New York, in 1947, and is a prominent member of the Pictures Generation alongside others such as Cindy Sherman and Barbara Kruger. She is also known for her pioneering work in appropriation and conceptual art, as well as institutional critique. Although she has worked in a number of mediums, her career-long use of photography is most well known, specifically her photos of other artist’s work – such as of exhibition installations and pieces in varying stages of storage.

New York City

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Wrapping paper for Anger Management pop-up shop, Brooklyn Museum (Unhinged)

Wrapping paper for Anger Management pop-up shop, Brooklyn Museum (Unhinged)

2017 · Offset lithograph

WW-2017-M120017
Poster for Louise Lawler: WHY PICTURES NOW, The Museum of Modern Art, New York, April 30–July 30, 2017

Poster for Louise Lawler: WHY PICTURES NOW, The Museum of Modern Art, New York, April 30–July 30, 2017

2017 · Offset lithograph

WW-2017-M119997
Wrapping paper for Anger Management pop-up shop, Brooklyn Museum (Unnerved)

Wrapping paper for Anger Management pop-up shop, Brooklyn Museum (Unnerved)

2017 · Offset lithograph

WW-2017-M120018
Water to Skin

Water to Skin

2016 · Chromogenic print

WW-2016-M118165
Business card for Metro Pictures, Art Basel, Basel, Switzerland, June 16–21, 2015

Business card for Metro Pictures, Art Basel, Basel, Switzerland, June 16–21, 2015

2015 · Offset card

WW-2015-M117181
Envelope for A Letter Always Arrives at Its Destination, La Panacée, Centre de culture contemporaine, Montpellier, France, July 18–November 16, 2014

Envelope for A Letter Always Arrives at Its Destination, La Panacée, Centre de culture contemporaine, Montpellier, France, July 18–November 16, 2014

2014 · Offset envelope

WW-2014-M117180

Record

Verified by WattsOS
Year
2003
Dimensions
114.9 × 128.9 cm (45 1/4 × 50 3/4 in.)
Watts ID
WW-2003-014880

Source

Source
aic
Status
verified

Artist

Louise Lawler

Louise Lawler

Photography

View artist profile →