
Girls, Tricky
<p>Steve McQueen creates reductive, often abstracted works, in which he pares down the projected image to its basic elements: light and dark, motion and stillness, silence and sound. His improvisational approach is often defined by the handheld camera, distilled but coded actions, gestures, performative expressions, and restrained postproduction editing.</p> <p>In <em>Girls, Tricky</em>, McQueen portrayed the London-based experimental “trip-hop” musician and producer Tricky (born Adrian Thaws) as he rehearses a track in his dimly lit recording studio. Four days spent together in this confined space resulted in an intimate and sensitive representation of the singer. Of this experience, McQueen recalled:</p> <p>"I wanted to get as close to the artist as possible. He has this certain je ne sais quoi, like Marlon Brando or James Dean. Tricky possesses a certain spontaneity, which also influenced the film. Tricky is someone who entrusts himself to his own voice and tries to find out where it may carry him. It’s a rare moment that you see an artist close up gearing himself up for a vocal performance in such a visual way. In effect, a moment not for camera is caught."</p> <p>Indeed, Tricky erupts into an ecstatic, frenzied performance over the course of nearly 15 minutes, yet by the end, it becomes clear that he has maintained command of both his senses and the recording session. Using extreme close-ups, very few cuts, and deliberately restricted lighting, McQueen captured the raw creative act in an intensely concentrated portrait, which is at once elusive, elliptical, and subtly transgressive.</p>
Catalogue
- Year
- 2001
- Collection
- Art Institute of Chicago
- Artist
- Steve McQueen
Artist

Performance Art
Steve McQueen was an American performance artist who worked with his own body as the primary material, creating durational and often physically demanding actions that challenged conventional notions of spectacle and endurance. Active from the 1960s onward, his performances frequently involved repetition, constraint, and direct confrontation with physical limits. He worked across film, video, and live performance, establishing performance art as a rigorous conceptual medium distinct from theater or dance.
Full artist profile →More
More by Steve McQueen
End Credits, Part I
2012 · High-definition video sequence of scanned files (projection), with independent audio track
Static
2009 · 35mm film transferred to high-definition video (color, sound)
Gravesend
2007 · 35 mm film, sound, transferred to high definition Quick-time Movie file (projection); 18:04 min. loop
Unexploded
2007 · 16mm film, silent, transferred to digital video (projection or monitor); 54 sec. loop
Caribs' Leap/Western Deep
2002 · Caribs' Leap: 8mm and 35mm color film, sound, transferred to two-channel digital color video (projection), 28:53 min. loop, and 12:06 min. loop, edition number two of four; Western Deep: 8mm color film, sound, transferred to digital video (projection), 24:12 min. loop
Barrage
1998 · Chromogenic print
Record
Verified by WattsOS- Artist
- Steve McQueen
- Year
- 2001
- Watts ID
- WW-2001-143371
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





