Sienna

<p>Cecilia Edefalk’s work, almost always a serial exploration of a single motif, is distinguished by frequent experiments with duplication, scale, and proportion. All of the artist’s paintings emerge from a relationship to other modes of representation. For Edefalk, sculpture, notably historic statuary, has been a catalyst that she has consistently reinterpreted in order to reflect on experiences that bind her to a particular work. At one point in her career, she traveled to Italy, where she became fascinated by a Quattrocento statue, a polychrome wood angel for an Annunciation. This led her to create a series of paintings, including the haunting portrait <em>Sienna</em>. Although Edefalk considers this an independent composition, it marks the close of the series and aims to capture the mystical qualities she prized in the statue.</p>