
Codex Espangliensis: From Columbus to the Border Patrol
<p>Enrique Chagoya, Guillermo Gómez-Peña, and Felicia Rice published <em>Codex Espangliensis: From Columbus to the Border Patrol</em> in 1998 as a commentary on the border politics between the United States and Mexico. The book’s illustrations fuse pre-Hispanic graphics, postcolonial figures, and superheroes popular in US American culture. These images and accompanying text in Spanish and English challenge notions of historical erasure, US exceptionalism, and ethnocentrism that deeply impact border culture. Felicia Rice modeled the book’s physical composition––including its accordion-style binding, <em>amatl</em> paper, and abundant imagery––after the Aztec and Mayan recordkeeping codices that were destroyed by the Spanish following their conquest in Mexico. Both Gómez-Peña and Chagoya are known for their activism and for political art that uses culture as a lens through which to critique larger historical, sociopolitical issues. <em>Codex Espangliensis</em> is a project that resonates with their larger praxis.</p>
Catalogue
- Year
- 1998
- Dimensions
- Closed: 23 × 29.1 × 3 cm (9 1/16 × 11 1/2 × 1 3/16 in.); Extended: 23 × 921.5 cm (9 1/16 × 362 13/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Enrique Chagoya
Artist

Printmaking
Enrique Chagoya is a Mexican artist born in 1953 who works across printmaking, painting, and mixed media, often combining pre-Columbian imagery with contemporary visual languages. His practice interrogates colonial narratives and cultural hybridity through layered compositions that reference both indigenous codices and popular culture.
Full artist profile →More
More by Enrique Chagoya
Sopla / Gust the wind from Recurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Ya van desplumados / There they go plucked from Recurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Lo que puede un sastre! / What a tailor can do! from Recurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Y se le quema la casa / And the house is on fire from Recurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Bravisimo! / Bravissimo! from Recurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Ya tienen asiento / Now they are sitting well fromRecurrent Goya
2015 · One from a portfolio of fourteen etching and aquatints with letterpress
Record
Verified by WattsOS- Artist
- Enrique Chagoya
- Year
- 1998
- Dimensions
- Closed: 23 × 29.1 × 3 cm (9 1/16 × 11 1/2 × 1 3/16 in.); Extended: 23 × 921.5 cm (9 1/16 × 362 13/16 in.)
- Watts ID
- WW-1998-126149
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





