No image

Outer Banks of Memory

Tishan HsuWW-1985-168710
1985·Acrylic, concrete, Styrofoam, oil, and enamel on wood, 3 parts·Overall: 89 15/16 × 94 3/4 × 8 5/8 in. (228.4 × 240.7 × 21.8 cm)

<p>Tishan Hsu, <em>Outer Banks of Memory</em>, 1985. Acrylic, concrete, Styrofoam, oil, and enamel on wood, 3 parts, overall: 89 15/16 × 94 3/4 × 8 5/8 in. (228.4 × 240.7 × 21.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2021.105a-c. © Tishan Hsu / Artists Rights Society (ARS), New York</p>

Catalogue

Year
1985
Dimensions
Overall: 89 15/16 × 94 3/4 × 8 5/8 in. (228.4 × 240.7 × 21.8 cm)

Artist

Tishan Hsu
Tishan Hsu

Painting

Tishan Hsu explores the effects of technology on the human body and the emotional resonance happening between people and the digital screen. Working with paintings, interactive media, and sculpture, Hsu challenges the viewer to question how technology affects the individual body and the collective body as a means of becoming more conscious of the cognitive and navigating the body’s response in a shifting digital landscape. Works such as QMH 3.2.1 (2019) apply these ideas to history and how forgotten and repressed history can affect the body, becoming formed by the experiences of trauma. He earned a BS in architecture and a Master’s degree in architecture from the Massachusetts Institute of Technology and studied film at Harvard. He taught at Sarah Lawrence College and has work in numerous museum collections including the Metropolitan Museum of Art, the Centre Pompidou, and the High Museum of Art.

Boston, MA, USA

Full artist profile →

More

More by Tishan Hsu

View all →
Cell

Cell

1987 · Oil, alkyd, enamel, acrylic, rubber, aluminum, and vinyl cement compound on wood, four panels

WW-1987-M126346

Record

Verified by WattsOS
Year
1985
Dimensions
Overall: 89 15/16 × 94 3/4 × 8 5/8 in. (228.4 × 240.7 × 21.8 cm)
Watts ID
WW-1985-168710

Source

Source
whitney
Status
verified

Artist

Tishan Hsu

Tishan Hsu

Painting

View artist profile →