Große Kurve I/1980

Norbert Kricke was a German sculptor who pioneered the use of open, linear forms in welded steel during the postwar period. His abstract works, often monumental in scale, employed thin rods and geometric planes to create spatial compositions that emphasized void and movement rather than mass. Working primarily in steel and bronze, Kricke developed a vocabulary of dynamic, kinetic structures that influenced the development of constructivist sculpture in postwar Europe.