
Essence Mulberry
<p>What Frankenthaler had only just begun to explore in her woodcuts at Universal Limited Art Editions (U.L.A.E.) emerged as a tour de force when she worked with Kenneth Tyler at Tyler Graphics. Abandoning the jigsaw, Frankenthaler invented a technique she called “guzzying.” She worked the wood’s surface with a variety of implements to create an uneven, undulating surface that, when combined with transparent inks, produced watercolor-like effects.</p>
Catalogue
- Year
- 1977
- Dimensions
- Image/sheet: 100.7 × 46.5 cm (39 11/16 × 18 5/16 in.)
- Collection
- Art Institute of Chicago
More
More by this artist
Altitudes
1978 · Color lithograph from two stones on reddish buff wove paper
Altitudes
1978 · Color lithograph from one stone and ink tap outs on brown wove paper
Altitudes
1978 · Lithograph from one stone in black on white wove paper
Bronze Smoke
1978 · Color lithograph from one stone on reddish buff wove paper
Bronze Smoke
1978 · Lithograph from one stone on white wove paper
Bronze Smoke
1978 · Color lithograph from three stones on brown wove paper
Record
Verified by WattsOS- Year
- 1977
- Dimensions
- Image/sheet: 100.7 × 46.5 cm (39 11/16 × 18 5/16 in.)
- Watts ID
- WW-1977-135641
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





