Untitled from Homage to Picasso (Hommage à Picasso)

Heinz MackWW-1973-M052317

1973·Screenprint and embossing from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts·composition: 29 3/8 x 21 1/4" (74.6 x 53.9cm); sheet: 29 15/16 x 22 1/16" (76 x 56cm)

Catalogue

Year: 1973
Medium: Screenprint and embossing from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Dimensions: composition: 29 3/8 x 21 1/4" (74.6 x 53.9cm); sheet: 29 15/16 x 22 1/16" (76 x 56cm)
Collection: Museum of Modern Art
Artist: Heinz Mack

Artist

Heinz Mack

Sculpture

Heinz Mack is a German artist born in 1931 who works primarily in kinetic sculpture, light installations, and paintings that explore the optical and perceptual effects of movement and reflection. Co-founder of the Zero movement in the late 1950s, Mack developed a practice centered on dematerialization, pure light, and dynamic surfaces that challenge static representation. His work spans monumental outdoor installations, motorized metal constructions, and light-based interventions that engage the viewer's experience of time and space.

Lollar, Germany

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