Queenie

Ching Ho Cheng was a Cuban-born American visual artist of Chinese descent whose work occupies a distinct place within the cultural and aesthetic landscape of postwar New York. Active from the late 1960s through the 1980s, Cheng developed a materially innovative and conceptually introspective practice that intersected with the downtown avant-garde, psychedelic art, and emergent Asian American artistic expression. His oeuvre is categorized into four distinct periods: Psychedelics, Gouache, Torn Works, and The Alchemical Series—each primarily executed on paper.

Havana, Cuba