Double-page tailpiece (pages 20 and 21) from Gli angeli mi disturbano (Angels Disturb Me)
Catalogue
- Year
- 1969
- Medium
- Etching with roulette and line block from an illustrated book with nine etchings and one lithograph
- Dimensions
- Composition (irreg.): 6 3/4 × 6 1/2" (17.2 × 16.5 cm);
- Collection
- Museum of Modern Art
- Artist
- Ikeda Masuo (池田満寿夫)
Artist

Printmaking
Ikeda Masuo was a Japanese printmaker and sculptor whose practice spanned abstraction, figuration, and mixed media across multiple decades in the postwar period. Working primarily in etching, lithography, and three-dimensional form, he developed a gestural vocabulary that moved between geometric and organic motifs. Based in Japan, his work engaged with both Western modernism and traditional Japanese aesthetics.
Full artist profile →More
More by Ikeda Masuo (池田満寿夫)
In the Landscape
1973 · Solvent transfer, watercolor, gouache, and pencil on paper
Empty Sphinx
1970 · Etching, aquatint, mezzotint and drypoint
Sphinx Covered by Sheet from Portrait of Sphinx
1970 · One from a portfolio of six etchings
Portrait of Sphinx
1970 · Portfolio of six etchings
Welcome to Our Town-B
1969 · Color lithograph on ivory wove paper
Secret Box
1969 · Etching, roulette, aquatint and drypoint
Record
Verified by WattsOS- Artist
- Ikeda Masuo (池田満寿夫)
- Year
- 1969
- Medium
- Etching with roulette and line block from an illustrated book with nine etchings and one lithograph
- Dimensions
- Composition (irreg.): 6 3/4 × 6 1/2" (17.2 × 16.5 cm);
- Watts ID
- WW-1969-M010642
Source
- Collection
- Museum of Modern Art
- Source
- moma
- Status
- verified





