
The Trogens
<p>Included in the 1967 <em>Hairy Who?</em> exhibition at the Hyde Park Art Center, <em>The Trogens</em> is a rare and important early example of reverse painting on Plexiglas— a trademark of the movement. First introduced by Jim Nutt and Karl Wirsum, the approach was adopted by Nilsson, but unlike her contemporaries, she did not execute the work from finished drawings; instead she favored an improvised mode of painting. <em>The Trogens</em> exemplifies Nilsson’s penchant for the absurd, utilizing the human figure as exaggerated form. Reflecting her interest in the themes of hidden realities, the work recalls the iconic story of the Trojan horse from Homer’s <em>The Odyssey</em>, suggesting that artifice can belie true meaning and that things are not always as they appear.</p>
Catalogue
- Year
- 1967
- Dimensions
- 91.4 × 76.2 cm (36 × 30 in.)
- Collection
- Art Institute of Chicago
- Artist
- Gladys Nilsson
Artist

Painting
Gladys Nilsson is an American painter and printmaker born in 1940.
Full artist profile →More
More by Gladys Nilsson
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2013 · Collage of cut and commercially printed papers, watercolor, colored pencils, brush and black ink, crayons, and pastel, on white wove paper
The Buyers, from Sum Daze
1993 · Etching on white wove paper
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1993 · Etching and aquatint on cream wove paper
Hat Pins, from Sum Daze
1993 · Etching, soft ground etching, and roulette on tan Japanese paper, laid down on white wove paper (chine collé)
The Juggler, from Sum Daze
1993 · Etching, soft ground etching, and aquatint on cream wove paper
Laundry, from Sum Daze
1993 · Etching and soft ground etching on white wove paper
Record
Verified by WattsOS- Artist
- Gladys Nilsson
- Year
- 1967
- Dimensions
- 91.4 × 76.2 cm (36 × 30 in.)
- Watts ID
- WW-1967-037782
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





