untitled

Eduardo Paolozzi created sculptures, collages, mosaics, and films that synthesized machine impressions, found objects, and prefabricated industrial castings into geometric human forms. Working from Leith, he embraced technology as a source of formal and conceptual renewal rather than alienation, positioning popular culture and engineering as legitimate subjects for sculpture. A key figure in British Surrealism and an influential precursor to Pop Art.

Leith, UK