The Stone Eye: I saw (Ishi no me: watashi wa mita)

Tatsuo Ikeda was a Japanese avant-garde artist. An active figure in the Japanese postwar art scene, Ikeda’s works adopted a surrealist sensibility deeply grounded in social and political critique. Using strategies of distortion, grotesque figures, biomorphic forms, and a satirical tone, Ikeda sharply engaged with a range of contemporary issues including labor politics and class conflict, Japan-United States relations, nuclear disarmament, and legacies of militarism, especially through the proliferation and continued presence of American military bases on Japanese soil after the end of the Occupation era. A leading figure in the Reportage movement of the 1950s and early 60s, Ikeda, along with artists such as Hiroshi Nakamura, Kikuji Yamashita, and Shigeo Ishii, visited sites of protest across the country to document the realities of postwar social unrest through a expressive mode inflected with both surrealist and realist tenors.