
The Kiss
<p>In this print, Marisol juxtaposed negative and positive space to create perceptual reversals that are especially poignant when one discovers that the shapes are the artist's face and hands. In Marisol's work throughout the 1960s and 1970s, hands and fingers recur as signifiers of autoerotic content.</p>
Catalogue
- Year
- 1965
- Dimensions
- Image: 30.5 × 26 cm (12 1/16 × 10 1/4 in.); Sheet: 57 × 44 cm (22 1/2 × 17 3/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Marisol
Artist

Sculpture
Marisol Escobar, otherwise known simply as Marisol, was a Venezuelan-American sculptor born in Paris, who lived and worked in New York City. She became world-famous in the mid-1960s, but lapsed into relative obscurity within a decade. She continued to create her artworks and returned to the limelight in the early 21st century, capped by a 2014 major retrospective show organized by the Memphis Brooks Museum of Art. The largest retrospective of Marisol's artwork, Marisol: A Retrospective has been organized by the Buffalo AKG Art Museum and curated by Cathleen Chaffee for these museums: the Montreal Museum of Fine Arts, the Toledo Museum of Art, the Buffalo AKG Art Museum, and the Dallas Museum of Art . Although it was supplemented by loans from international museums and private collections, the exhibition drew largely on artwork and archival material Marisol left to the Buffalo AKG Art Museum as a bequest upon her death.
Full artist profile →More
More by Marisol
Cultural Head
1973 · Color lithograph on tan wove paper
I Hate You
1973 · Etching in black on white wove paper
I Hate You
1973 · Colored crayon and pencil on black wove paper
Forest
1973 · Lithograph in black on white wove paper
Catalpa Maiden about to Touch Herself
1973 · Color lithograph on gray handmade wove paper
Hand in Leaf
1973 · Lithograph in black tan laid paper
Record
Verified by WattsOSSource
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





