In Tibet

Günter Haese was a German sculptor who worked primarily in brass wire and found metal, creating delicate, kinetic constructions that bridged abstract form and mechanical possibility. Active from the postwar period onward, his intricate wire assemblages combined geometric precision with an almost musical sense of balance and movement. His work occupied a distinctive position between Constructivism and Kinetic Art, employing industrial materials to suggest weightlessness and the possibility of motion without relying on motors or electricity.