
Beach of Silenus
<p>Robert Thompson appropriated compositions from Old European Masters, rearranging and integrating them with his own symbolic language and figural style. In his reconfiguration of established themes, he eliminated narrative content and instead created abstract patterns that loosely convey a feeling or an idea. The thick acrylic paint produces a dynamic, textured surface; flat, overlapping fields of color create linear and chromatic rhythms and planes advance and recede in space. Despite deriving inspiration from canonical works of art, Thompson's improvisatoinsal working method demonstrates affinities with the post-bebop jazz of the 1960s.</p>
Catalogue
- Year
- 1964
- Dimensions
- 26.1 × 27.6 cm (10 5/16 × 10 7/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Bob Thompson
Artist

Mixed Media
Born in Louisville, Kentucky, Bob Thompson (1937–1966) earned critical acclaim in the late 1950s the figurative complexity and chromatic intensity of his paintings. Over his short yet prolific career, he developed a unique figurative style in reaction to the dominance of abstract art while incorporating its spontaneity, scale, and expressive use of color.
Full artist profile →More
More by Bob Thompson
Death of the Infant Bethel
1965 · Oil on canvas
Untitled (After Poussin)
1964 · Oil on printed paper
St. Matthew's Description of the End of the World
1964 · Oil on canvas
Expulsion and Nativity
1963 · Oil on canvas
The Procession
1963 · Oil on canvas
The Descension
1961 · Oil on canvas
Record
Verified by WattsOS- Artist
- Bob Thompson
- Year
- 1964
- Dimensions
- 26.1 × 27.6 cm (10 5/16 × 10 7/8 in.)
- Watts ID
- WW-1964-138626
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





