
Blank Book
<p>Ed Ruscha is credited with inventing the idiom of the quickly printed artist’s book when he published <em>Twentysix Gasoline Stations</em> in 1963. Conceived as a solo project that he conceptualized, designed, and published, it afforded him the chance to collect focused sequences of images that have since become iconic chronicles of the American vernacular.</p> <p>As Ruscha has explained, “If there is any facet of my work that I feel was kissed by angels, I’d say it was my books. My other work is definitely tied to a tradition, but I’ve never followed any tradition in my books. The books are a neuter gender, and that’s what I like about them. That’s why I feel so free when I do them. They’re the easiest things to do, and sometimes the best. I like the idea of spending $2,000 on something that’s totally frivolous and spontaneous. When I start on one of these books, I get to be the impresario of the thing, I get to be majordomo. I get to be creator and total proprietor of the whole works, and I like that. It’s nice. And I’m not biting my nails over whether the book is going to hit the charts or not.”</p> <p>Drawing has also been central to Ruscha’s work. Moreover, his dedication to craftsmanship regardless of medium is legendary. <em>Blank Book</em> refers to but does not copy a sequence of photographs that he made of his hand holding his first book (see <em>Hand Showing Book Cover</em> <a href=https://www.artic.edu/artworks/202895/hand-showing-book-cover> (2011.60)</a>, for example). This drawing differs from the photographs in many ways. Ruscha depicted the book blank, without lettering, rendering the sheet in graphite with a wide range of values to convey the object faithfully. And yet both the lighting and the space are impossible, which serves to underscore the monumentality of the book as a form, despite its modest size. In the drawing, Ruscha eliminated the photographic content and turned the book into an object without a specific meaning yet rich with enough allusions to suggest an object of devotion, such as a Bible.</p>
Catalogue
- Year
- 1963
- Dimensions
- 30.5 × 23.3 cm (12 1/16 × 9 3/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Ed Ruscha
Artist

Painting
Learn about the work and career of artist Ed Ruscha. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
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More by Ed Ruscha
"L. C."
1997 · Color screenprint on white wove paper
Coyote
1989 · Lithograph on white wove paper
Untitled (Ship)
1988 · Acrylic on white wove paper
Rooster
1988 · Color aquatint and hard ground etching on white wove paper
F House
1987 · Acrylic on canvas
Smaller Dish
1985 · Dry-pigment on paper
Record
Verified by WattsOSSource
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





