
In Lovely Blueness No. 2
<p>In the mid 1950s, Sam Francis inaugurated a succession of monumentally scaled paintings informed by a variety of artistic sources, including Abstract Expressionism and French Impressionism. With their spontaneous brushwork and lyrical interplay of primary hues, these paintings established Francis as one of the foremost colorists of the postwar era. The artist often found inspiration in literary works and kept a notebook containing titles of books and verses. He named this and a related painting (<em>In Lovely Blueness No. 1</em>, 1955–57) after a poem by the German Romantic writer Friedrich Hölderlin, hoping to capture the poem’s sublime imagery and prophetic vision.</p>
Catalogue
- Year
- 1955
- Medium
- Oil on linen
- Dimensions
- Without frame: 309.9 × 365.8 cm (122 1/16 × 144 1/16 in.); 309.9 × 365.8 cm (122 × 144 in.)
- Collection
- Art Institute of Chicago
- Artist
- Sam Francis
Artist

Painting
Born in San Mateo, California, in 1923, Sam Francis served in the US Air Force corps during World War II, later earning degrees in psychology and botany at UC Berkeley. Moving to Paris in the 1950s, he encountered Monet’s Waterlilies, which proved lastingly influential to his art’s scale and sensitivity to light, color, and abstract art. The artist also traveled extensively – to Tokyo, Mexico City, and New York to name a few – and became familiar with non-Western philosophy. His work evolved from monochromatic abstractions to rich chromatic murals to his iconic “open” paintings: in which vividly hued splashes and drips of color are punctuated by expanses of white. These abstract expressionist paintings became synonymous with Francis’s work, as the movement came to be defined alongside him.
Paris, France and Santa Monica, USA
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Falling Star from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc.
1981 · One from a portfolio of eight lithographs
Record
Verified by WattsOS- Artist
- Sam Francis
- Year
- 1955
- Medium
- Oil on linen
- Dimensions
- Without frame: 309.9 × 365.8 cm (122 1/16 × 144 1/16 in.); 309.9 × 365.8 cm (122 × 144 in.)
- Watts ID
- WW-1955-101562
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





