
Untitled (Nagoya), from the series "Floods and Japanese"
<p>One of the key figures in Japanese postwar photography, Shomei Tomatsu made photographs that addressed the dominant issues shaping the country's identity: the destruction of the atomic bomb, the subsequent rebuilding of Japan into a modern society, and the ongoing American military and cultural presence. This photograph was taken in Nagoya in the aftermath of the 1959 Ise Bay typhoon, one of the most devastating in Japanese history. It does not directly address the 5,000 casualties or the families left homeless by the disaster; instead, it depicts a boot, a traditional sandal, and a modern ladies' pump rising up from the black sludge, suggesting the Japanese islands or a population adrift. The sturdy boot alone, most likely manufactured in the United States, emerges tenaciously from the muck and appears most capable of moving on after the disaster.</p>
Catalogue
- Year
- 1955
- Medium
- Gelatin silver print
- Dimensions
- Image: 23.2 × 23.2 cm (9 3/16 × 9 3/16 in.); Mount: 36 × 34.2 cm (14 3/16 × 13 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Shomei Tomatsu
Artist

Printmaking
Shomei Tomatsu was a Japanese photographer who documented postwar Japan with unflinching attention to the material traces of American occupation, industrial transformation, and everyday life. Working primarily in black and white, he combined documentary precision with a modernist formal sensibility, capturing both the debris of war and the texture of urban surfaces. His photographs from the 1950s and 1960s constitute a visual archive of Japan's rapid reconstruction and cultural displacement.
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1991 · Silver dye bleach print
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1991 · Silver dye bleach print
Plastics, Kujukuri Beach, Chiba
1988 · Chromogenic print
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1988 · Chromogenic print
Miyako Island, Okinawa
1987 · Silver-dye bleach print
Record
Verified by WattsOS- Artist
- Shomei Tomatsu
- Year
- 1955
- Medium
- Gelatin silver print
- Dimensions
- Image: 23.2 × 23.2 cm (9 3/16 × 9 3/16 in.); Mount: 36 × 34.2 cm (14 3/16 × 13 1/2 in.)
- Watts ID
- WW-1955-027557
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





