Cyclops

William BaziotesWW-1947-134656

1947·Oil on canvas·121.9 × 101.6 cm (48 × 40 in.)

<p>Profoundly affected by his encounters with Surrealists who were living in New York City in the 1940s, such as Matta, William Baziotes explored his imagination and incorporated automatism, or automatic drawing, and biomorphic imagery into his art practice. Part of a small group of single-image paintings, this work depicts a combination of a rhinoceros and the mythical one-eyed Cyclops. Inspired by an encounter that the artist had with his favorite animal at the zoo, the artist explained: “I had some peanuts, and as I gave them to the rhino, he sucked my hand and held it. My wife got scared but I was terribly interested. He was playful and cute and toylike, but at the same time he chilled me. He seemed prehistoric and his eyes were cold and deadly.” This work was denounced as “unintelligible” by mainstream critics, but it was awarded a prize in a juried exhibition of abstract and Surrealist American art held at the Art Institute in 1947–48.</p>

Catalogue

Year: 1947
Medium: Oil on canvas
Dimensions: 121.9 × 101.6 cm (48 × 40 in.)
Collection: Art Institute of Chicago
Artist: William Baziotes

Artist

William Baziotes

Painting

William Baziotes was an American abstract painter whose biomorphic forms emerged from automatic drawing and a sustained engagement with Surrealist psychology. Working primarily in oil on canvas from the 1940s until his death in 1963, he developed a vocabulary of floating, organic shapes that suggest marine life and primordial landscapes without representing them directly. His practice bridged the gestural abstraction of the New York School with a dreamlike, introspective sensibility rooted in chance and the unconscious. Baziotes' soft, translucent color fields and ambiguous figural elements established him as a distinctive voice in postwar American abstraction.

New York, NY, USA

Full artist profile →