
Grinding Maize (San José Tepepa, State of Morelos), from Mexican People
<p>Intended for a U.S. audience, the group portfolio <a href="https://www.artic.edu/artworks/139299"><em>Mexican People</em></a> was originally commissioned by the Council for Pan-American Democracy in New York to promote Mexican products for export to the United States. Ultimately published by American Associated Artists (AAA) of New York—the Taller de Gráfica Popular’s first such collaboration with a U.S. organization—the 12 lithographs were accompanied by a map indicating the resources and industries of the various regions that each of the 10 artists had visited, funded by the AAA, in order to prepare his print. Although varied in tone and artistic approach, the prints tend to focus on labor and distinctive regional customs rather than on the portrayal of individuals, and some bear traces of the project’s original conception in their semi-ethnographic feel.</p> <p><strong>Español:</strong><br>Dirigido a un público estadounidense, el portafolio colectivo <a href="https://www.artic.edu/artworks/139299"><em>Mexican People</em></a> fue encargado por el Consejo para la Democracia Panamericana en Nueva York para promover la exportación de productos mexicanos a los Estados Unidos. Al final fue publicado por la Asociación de Artistas Americanos de Nueva York y representa la primera colaboración de este tipo entre el Taller de Gráfica Popular y una organización estadounidense. Las 12 litografías que lo componen iban acompañadas de un mapa que indicaba los recursos y las industrias de las diferentes regiones que los diez artistas habían visitado, con el financiamiento de la asociación, para preparar sus grabados. Aunque diferentes en tono y estilo artístico, los grabados tienden a centrarse en la representación del trabajo y en las distintas costumbres regionales más que en el retrato de individuos; algunos incluso conservaron rastros de la concepción semietnográfica original del proyecto.</p>
Catalogue
- Year
- 1946
- Dimensions
- Image: 35.2 × 28.7 cm (13 7/8 × 11 5/16 in.); Sheet: 44.8 × 38.5 cm (17 11/16 × 15 3/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Leopoldo Méndez
Artist

Printmaking
Leopoldo Méndez was a Mexican printmaker whose lithographs and woodcuts became foundational to twentieth-century Latin American social realism. Working from the 1920s onward, he deployed bold graphic forms and stark tonal contrasts to chronicle labor struggles, indigenous life, and anti-imperialist resistance. His prints circulated among working-class and activist networks across Mexico and beyond, establishing printmaking as a vehicle for direct political intervention rather than institutional mediation. The formal clarity of his compositions, combined with their urgent social content, shaped successive generations of socially engaged artists in the Americas.
Full artist profile →More
More by Leopoldo Méndez
Posada in His Workshop (Homage to Posada)
1953 · Linocut in black on cream wove paper
Firing Squad
1950 · Linocut in black on cream wove paper
Torches, from Río Escondido
1948 · Linocut in black on cream wove paper
Torches from the portfolio Rio Escondido (Hidden River)
1948 · Wood engraving
Little Schoolteacher, How Immense is Thy Will, from Río Escondido
1948 · Linocut in black on cream wove paper
I Thirst, from Río Escondido
1948 · Linocut in black on cream wove paper
Record
Verified by WattsOS- Artist
- Leopoldo Méndez
- Year
- 1946
- Dimensions
- Image: 35.2 × 28.7 cm (13 7/8 × 11 5/16 in.); Sheet: 44.8 × 38.5 cm (17 11/16 × 15 3/16 in.)
- Watts ID
- WW-1946-043477
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





