Two Experts, Tattoo

<p>New York City provided Reginald Marsh with ready subjects for his work as an artist and freelance illustrator. A draftsman at heart, he first used watercolor in the 1920s and returned to it in 1939, stating that “watercolors give clarity and allow for better drawing.” In this example, he drew with black crayon and graphite, and then applied the watercolor with thin, transparent washes of black and gray, carefully allowing them to pool and dry in untidy clouds that emphasize the dirty, grimy realism of his landscape.</p>

Catalogue

Year
1944
Dimensions
57.8 × 78.7 cm (22 13/16 × 31 in.)

Artist

Reginald Marsh
Reginald Marsh

Photography

American artist Reginald Marsh was best known for his depictions of marginalized groups and the seedy underbelly of New York City in the first half of the 20th century. His chosen subjects were the homeless living in downtown Manhattan, burlesque shows, gritty scenes on Coney Island and the sea ports and the hustle of everyday life, which he treated with nuanced psychological consideration and a sense of vibrant urgency in his brushstrokes. His style has been analyzed in the context of Social Realism, as he rejected the Modernist tradition but felt a kinship with the masters of the Italian Baroque.

New York, NY, USA

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Taxi Dance Hall

Taxi Dance Hall

1952 · China ink on cardboard, double-sided, one side varnished

WW-1952-068643
Coney Island Beach with Couples Embracing (recto); Couple Embracing on Coney Island Beach (verso)

Coney Island Beach with Couples Embracing (recto); Couple Embracing on Coney Island Beach (verso)

1947 · Brush and black and gray wash (recto and verso), on cream watercolor paper

WW-1947-083811
Battery (Belles)

Battery (Belles)

1938 · Etching in black on cream wove paper

WW-1938-100766
Summer in New York

Summer in New York

1938 · Watercolor, over graphite, on off-white wove paper

WW-1938-061259
Battery (Belles)

Battery (Belles)

1938 · Etching and engraving

WW-1938-M056427
Knights of the Road

Knights of the Road

1936 · Watercolor, over graphite, on off-white wove paper

WW-1936-058216