Calaveras estranguladoras (Strangling Calaveras)

Calaveras estranguladoras (Strangling Calaveras)

Alfredo ZalceWW-1942-119209

<p>On the Day of the Dead the Taller de Gráfica Popular produced <em>calavera</em> sheets, continuing the tradition popularized by Posada. In this energetic, collaborative four-page broadside from 1942, several Taller artists took up the <em>calavera’s</em> dark humor to lionize military heroes, satirize murderers and the press, and reveal local scandals and international incidents. The broadside’s overarching theme of strangulation was inspired by the recently captured serial killer Gregorio Cárdenas Hernández, the first such criminal to receive extensive coverage in the Mexican press. On the pamphlet’s front page, insectlike reporter-<em>calaveras</em> swarm Cárdenas as he kneels in his jail cell. The interior pages expose the deadly effects of tainted milk and expensive medication and display skeletonlike caricatures of Hitler and French collaborationist leaders Pétain and Laval. In contrast, on the back page, Méndez depicted the heroic, mounted <em>calavera</em> of General Seymon Timoshenko, who led the Soviet Red Army against the Nazi siege of Stalingrad, as a new Zapata, the Mexican revolutionary leader.</p> <p><strong>Español:</strong><br>Para los Días de Muertos, el Taller de Gráfica Popular producía hojas de calaveras, siguiendo la tradición popularizada por Posada. En esta vigorosa hoja volante colectiva de cuatro páginas producida en 1942, varios artistas del Taller retoman el humor negro de las calaveras para engrandecer a los héroes militares, satirizar a los asesinos y a la prensa y revelar escándalos locales e incidentes internacionales. El tema de la estrangulación, que abarca toda la hoja, surgió de la reciente captura del asesino en serie Gregorio Cárdenas Hernández, el primer criminal de ese tipo en recibir una gran cobertura en la prensa mexicana. En la primera página de la hoja, unas calaveras-reporteros con formas de insectos asedian a un Cárdenas que aparece de rodillas en su celda. Las páginas interiores muestran las nocivas consecuencias de la leche contaminada y de las medicinas caras junto a los esqueletos de Hitler y de los líderes colaboracionistas franceses Pétain y Laval. En contraste, en la última página, Méndez plasmó la heroica calavera a caballo del general Seymon Timoshenko, quien encabezó al Ejercito Rojo soviético contra el sitio nazi de Stalingrado. Aparece en la forma de un nuevo Zapata, el dirigente revolucionario mexicano.</p>

Catalogue

Year
1942

Artist

Alfredo Zalce
Alfredo Zalce

Printmaking

Alfredo Zalce was a Mexican painter and printmaker active from the 1930s onward, working in a figurative style grounded in social realism and Mexican political art. His practice encompassed mural painting, easel works, and woodcuts that engaged with themes of labor, indigenous culture, and national identity. Zalce remained committed to accessible, publicly oriented forms throughout a long career spanning the postwar period and beyond.

Pátzcuaro, Michoacán, Mexico

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Record

Verified by WattsOS
Year
1942
Watts ID
WW-1942-119209

Source

Source
aic
Status
verified

Artist

Alfredo Zalce

Alfredo Zalce

Printmaking

View artist profile →