
<p>Less than two weeks after Germany invaded Poland in September 1939, painter Kurt Seligmann traveled from Europe to New York for the opening of an exhibition of his work. Urged not to return home due to the threat of Nazi persecution, he became one of the earliest Surrealist artists to seek refuge in New York.</p> <p>For <em>The Dance</em>, which envisions a modern danse macabre, or dance of death, Seligmann employed a traditional German folk technique in which he painted in reverse on the backside of glass and used candle smoke to enhance the rich black tones. The technique and imagery reflect Seligmann's fascination with medieval heraldry and magic, as well as his horror at the contemporary tragedies of war. As the artist wrote around the time he made <em>The Dance</em>, "My mind is as black as the background in my paintings."</p>
Catalogue
- Year
- 1940
- Medium
- Oil on glass
- Dimensions
- 87 × 101.6 cm (34 1/4 × 40 in.)
- Collection
- Art Institute of Chicago
- Artist
- Kurt Seligmann
Artist

Painting
Kurt Seligmann was an American painter and printmaker who worked across abstraction and figuration, creating dense, layered compositions that incorporated automatist techniques and mythological imagery. Active in the postwar period, he developed a distinctly personal synthesis of Surrealist methods and Jungian psychology, translating psychological states into complex visual narratives. His work combined painting, etching, and collage to explore the unconscious as a generative space.
Full artist profile →More
More by Kurt Seligmann
The King
1960 · Oil on canvas
Metamorphosis
1959 · Oil and tempera on canvas
The Inventors
1958 · Oil on canvas
Happy Birthday to Earle and all Good Wishes From Both of Us
1955 · Lithograph on cream wove paper
Untitled
1955 · Crayons on ivory wove paper, laid down on ivory wove paper
Exorcism
1954 · Ink, gouache, wash, and resin on paper
Record
Verified by WattsOS- Artist
- Kurt Seligmann
- Year
- 1940
- Medium
- Oil on glass
- Dimensions
- 87 × 101.6 cm (34 1/4 × 40 in.)
- Watts ID
- WW-1940-016169
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





