La chevelure (The Hair)

La chevelure (The Hair)

Yves TanguyWW-1937-126150

<p>Inspired by Nusch Eluard, fellow artist Paul Eluard’s wife and muse, this book by Hugnet and Tanguy was a gift to artist Marcel Duchamp, romantic partner to Mary Reynolds. The collaged cover, unusual paper, and italicized serif font give the book a precious, hand-made aesthetic that heightens the dreamy adoration of the poem printed within.</p> <p>Georges Hugnet’s poem <em> La chevelure </em>is printed on deep, blood red paper, and wrapped in a reflective gold paper cover anchored by a collage by Yves Tanguy. A pair of women’s hands caressing jewelry emerge from a torn fragment of black paper bearing the book’s title written in gold ink. Tanguy produced a unique collage for each of 15 artist copies of this edition, designated by 15 letters of the alphabet. The Art Institute holds copy “D,” which is signed by both Hugnet and Tanguy and dedicated to artist Marcel Duchamp, praising him as “fluorescent.”</p> <p>The many social connections intertwined in this one little book embody the collaborative community of Surrealists, which included many talented artists and writers. One hundred copies were printed all together.</p>

Catalogue

Year
1937
Dimensions
21.2 × 16.5 cm (8 3/8 × 6 1/2 in.)

Artist

Yves Tanguy
Yves Tanguy

Painting

Yves Tanguy was an American painter of French origin known for densely populated biomorphic landscapes rendered in oil, often depicting impossible terrains of undulating forms and spectral voids. His work, created between the 1920s and his death in 1955, occupied a singular space within Surrealism, eschewing the movement's reliance on recognizable dreamscapes in favor of purely invented anatomies and geologies. His compositions employ a narrow, luminous palette to render architectural organisms that seem to breathe and shift across barren horizons. Though associated with the Surrealist circle, his painting method was deliberate and architectural rather than automatic, building forms through precise layering and spatial recession.

Paris, France

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Tailpiece from Un Poème dans chaque livre

Tailpiece from Un Poème dans chaque livre

1956 · Etching from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph

WW-1956-M027458
Surrealist Composition with Smoking Container

Surrealist Composition with Smoking Container

1955 · Graphite, with smudging, on cream laid paper

WW-1955-131358
Multiplication of the Arcs

Multiplication of the Arcs

1954 · Oil on canvas

WW-1954-M069429
Two Mechanical Figures

Two Mechanical Figures

1954 · Pen and black ink, with white gouache, on cream wove paper

WW-1954-138592
Untitled

Untitled

1953 · Ink on paper

WW-1953-M029993
Thar

Thar

1952 · Gouache on gray wove paper

WW-1952-019314

Record

Verified by WattsOS
Year
1937
Dimensions
21.2 × 16.5 cm (8 3/8 × 6 1/2 in.)
Watts ID
WW-1937-126150

Source

Source
aic
Status
verified

Artist

Yves Tanguy

Yves Tanguy

Painting

View artist profile →