
Une semaine de bonté, ou, Les sept éléments capitaux (A Week of Kindness, or the Seven Capital Elements)
<p>Max Ernst’s illustrated novel, which translates to “A Week of Kindness (or the Seven Capital Elements)” is a volume of five books, with each section dedicated to a different day of the week and corresponding natural element (e.g. mud, water, void). Using images cut from Victorian novels and reference books, Ernst created a series of dreamlike collages that disrupt the book’s structured arrangement. While some of the collages have an obvious narrative, others challenge the viewer to free associate, a practice the Surrealists held in high esteem. It is a vivid example of the occult elements of the Surrealist movement, not only in the symbolic presentations of birds, snakes, and other human-hybrid beings, but also in the ritual-like creation of each individual book with its unique associations.</p> <p><em>Une semaine de bonté</em> contains a limited amount of text. Beyond the titles, days, elements and general information on printing, and Ernst’s images, the text is limited to short, evocative quotations from fellow Surrealists such as Paul Eluard, Alfred Jarry, among others. The Art Institute’s print has an inscription indicating this set was a gift to fellow Surrealist activist Caresse Crosby.</p>
Catalogue
- Year
- 1934
- Dimensions
- 28.6 × 22.6 × 4 cm (11 5/16 × 8 15/16 × 1 5/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Max Ernst
Artist

Painting
Max Ernst was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, which left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable foreigner" while living in France.
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More by Max Ernst
Plate (folio 20) from Hommage à Roger Lacourière
1968 · Etching from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint
Page 16 from 65 Maximiliana or the Illegal Practice of Astronomy (65 Maximiliana ou l'exercice illégal de l'astronomie)
1964 · Page from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints
Wrapper from 65 Maximiliana ou l'exercice illégal de l'astronomie
1964 · Wrapper from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints
65 Maximiliana or the Illegal Practice of Astronomy (65 Maximiliana ou l'exercice illégal de l'astronomie)
1964 · Illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints
Page 1 from 65 Maximiliana ou l'exercice illégal de l'astronomie
1964 · Page from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints
Hommage a Rimbaud
1961 · Etching with aquatint in two colors on paper
Record
Verified by WattsOSSource
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





